Monday, January 08, 2007

A Midsummer Night's Dream

Texts:
Quotations:
  • "I woo'd thee with my sword, / And won thy love, doing thee injuries: / But I will wed thee in another key..." (Theseus, I.1)
  • "Fair Hermia, question your desires..." (Theseus, I.1)
  • "O teach me how you look..." (Helena, I.1)
  • "The course of true love never did run smooth..." (Lysander, I.1)
  • "Things base and vile, holding no quantity,
    Love can transpose to form and dignity." (Helena, I.1)
  • "Love looks not with the eyes, but with the mind,
    And therefore is winged Cupid painted blind." (Helena, I.1)
  • "Who will not change a raven for a dove?" (Lysander, II.2)
  • "What fools these mortals be!" (Puck, III.2)
  • "Dark night, that from the eye his function takes, / The ear more quick of apprehension makes, / Wherein it doth impair the seeing sense, / It pays the hearing double recompense." (Hermia, III.2)
  • "The eye of man hath not heard, the ear of man hath not seen, man’s hand is not able to taste, his tongue to conceive, nor his heart to report what my dream was. " (Bottom's synaesthesia, IV.1)
  • Lovers and madmen have such seething brains,
    Such shaping fantasies, that apprehend
    More than cool reason ever comprehends.
    The lunatic, the lover and the poet
    Are of imagination all compact:
    One sees more devils than vast hell can hold,
    That is, the madman: the lover, all as frantic,
    Sees Helen's beauty in a brow of Egypt:
    The poet's eye, in fine frenzy rolling,
    Doth glance from heaven to earth, from earth to heaven;
    And as imagination bodies forth
    The forms of things unknown, the poet's pen
    Turns them to shapes and gives to airy nothing
    A local habitation and a name. (Theseus, V.1)

  • If we shadows have offended,
    Think but this, and all is mended,
    That you have but slumber'd here
    While these visions did appear. (Puck, epilogue)

Contexts:
  • Jack Lynch's links (scroll down to Shakespeare)

Terms:
masque, masque (2), a play within a play, breaking the frame, mechanicals' (or: craftsmen's) play, apron stage (or T-stage)

Thursday, December 14, 2006

The Faerie Queene

Text:

Book I, Canto I from the RPO


Contexts:



Terms:

romance, knight errant, quest, allegorical epic, in medias res, epic similes, emblem books , Spenserian stanza, patronage, propaganda.

Thursday, December 07, 2006

The English Sonnet

Texts:

Sir Thomas Wyatt

Henry Howard, Earl of Surrey

Sir Philip Sidney

from Astrophel and Stella


William Shakespeare

listen to some Shakespeare's sonnets


Edmund Spenser


Contexts:


Terms:

Petrarchan sonnet, Shakespearean sonnet, Spenserian sonnet, terza rima, ottava rima, octave, sestet, quatrain, tercet, couplet, volta, heroic verse, blank verse, iambic pentameter, decasyllabic line, scansion, meter, stanza, Neoplatonism.

Saturday, November 25, 2006

The Canterbury Tales

Texts:

  • Professor Duncan's edition of the “General Prologue”, together with hypertext notes and voice readings.
  • A side-by-side edition of the General Prologue together with glossary (Middle English adapted version and contemporary translation).
  • A traditional edition of the Middle English version.
  • A modern edition of The Canterbury Tales.
  • Sound recordings from various parts of the text.
  • Sound clips from a selection of English texts hosted by the Norton Anthology on-line edition.


Contexts:


Terms:

vernacular language, St Thomas Becket, frame story, heroic couplet, iambic pentameter, irony, fabliau, romance, Breton lai, exemplum, beast fable, physiognomy, theory of four humours.

Cuckoo Song

As a way of introduction to the beginning of the General Prologue of The Canterbury Tales by Chaucer, here's a post about a poem somewhat similar in tone to it.

Sumer is icumen in,
Lhude sing cuccu!
Groweth sed, and bloweth med,
And springth the wude nu-
Sing cuccu!

Awe bleteth after lomb,
Lhouth after calve cu;
Bulluc sterteth, bucke verteth,
Murie sing cuccu!

Cuccu, cuccu, well singes thu, cuccu:
Ne swike thu naver nu;
Sing cuccu, nu, sing cuccu,
Sing cuccu, sing cuccu, nu!

Read a translation of the text here.

You can sing it, too...

Read a bit about it.

You might also want to compare it with some newer variations on the theme:
  • Rudyard Kipling's
  • T.S. Eliot's beginning of the Waste Land
  • or his buddy's parody of the Cuckoo poem, as more applicable in this season of dark November:
Winter is icumen in,
Lhude sing Goddamm,
Raineth drop and staineth slop,
And how the wind doth ramm!
Sing: Goddamm.
Skiddeth bus and sloppeth us,
An ague hath my ham.
Freezeth river, turneth liver,
Damn you, sing: Goddamm.
Goddamm, Goddamm, 'tis why I am, Goddamm,

So 'gainst the winter's balm.
Sing goddamm, damm, sing Goddamm,
Sing goddamm, sing goddamm, DAMM.

(Ezra Pound)

The Pearl

Texts:

Contexts:

Monday, October 30, 2006

Sir Gawain and the Green Knight

Texts:

  • To get to know the whole story read the prose translation which can be found in the Krzysztof Fordoński anthology (available in library): pages from 114 to 143. This is the Jessie Weston translation. You may like to compare it with the Representative Poetry On-line version

  • For our meeting bring the translation from the Mazur & Bela anthology (available in library): pp. 32-41

  • Also, read Sir Thomas Malory's Morte Darthur (excerpts from the Mazur & Bela anthology, pp. 60-68)

  • Excerpts from the Roman de la Rose


Contexts:


Terms:

romance, quest,courtly love (1), courtly love (2), chivalry, five cardinal virtues (purity, courtesy, piety, generosity, love of his fellows / fellowship), pentacle / pentangle, allegory, Alliterative Revival, stock, bob and wheel

Wednesday, October 18, 2006

Beowulf

Texts:

  • Listen to Seamus Heaney's readings from his own translation of Beowulf (to be found in the Norton Anthology – available in Biblioteka)
  • Listen to some Old English lines taken from Beowulf


Contexts:

Monday, September 25, 2006

The Dream of the Rood

Texts:


Contexts:


Terms:
Cynewulf, the Ruthwell Cross, passion poetry, dream vision allegory, framework narrative,
prosopopoeia, hwaet!, Celtic Christianity, Wyrd, elegiac tone, Ecce Homo.

Tuesday, September 19, 2006

Old English context

A series of Wikipedia articles concerning the context of the beginnings of English literature:

Ancient Britain
Roman Britain
History of Anglo-Saxon England


Old and Middle English places of interest and importance for literature.
source: Pat Rogers (ed.) The Oxford Illustrated History of English Literature.

Wednesday, September 13, 2006

Caedmon's Hymn and Riddles


Texts:

Contexts:

Terms:
oral tradition, Celts, druid, bard,
fili (pl. filid), ollamh, Iona, Lindisfarne, Kells, Bangor, Celtic Christianity, Angles, Saxons, Jutes, runes, runic alphabet, Futhorc, charms, riddles, St. Augustine of Canterbury, Whitby, gleeman, scop [pron. shope], Deor, Widsith, elegiac, epic, kenning, caesura, alliteration, the Venerable Bede, Wyrd, Drihten